Tag Archives: how to write

How to Get Yourself Back Into Writing

If you are feeling uninspired or timid at thought of getting started, you can use the following techniques to get some words, any words, down on paper… or into your computer. These ideas work for me when I’m really not wanting or feeling capable of getting the words out. They are my tried and true methods of getting back to the business of writing…

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Get Yourself Prepared to Write

Not every writer has the ability to write on demand. Some people experience writer’s block, a condition that can span for just moments to extended lengths of time, up to years. This can really get in the way of building your platform, creating content, selling your product, or gaining credibility in your niche. Getting yourself prepared to write before you start your sessions is a good idea…

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How to Achieve Success as a Writer

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If you’re a writer then you know all too well, the struggle to achieve success. Whether you write copy, content, author non-fiction or fiction books, or aspire to become a successful writer, you are looking for the best method to accomplish your goal. You should know that your dream is not beyond your reach….

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Must Have Writing Tools for Story Outlining

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Tools and Templates for Your Story Outline

As a writer, I am a planner. I am a huge fan of outlining a story or book and find the process extremely enjoyable.

Brainstorming

Planning your book with a story outline is a great way to break it down into small writing goals, each with a focused idea.

What I love about brainstorming an outline: I can think up an idea, break it down into major scenes, and get an overall feel for the story I’m wanting to write. I can follow a general story arch and make sure that my major scenes are occurring where they need to. It’s a fun exercise that allows me to see the whole story idea come together before a word of it is actually written.


Tools

Scrivener is the number one tool writers use to write their books. It has great options for storyboarding/outlining. It formats your book for uploading to your publisher. Go check out everything this program has to offer. Honestly, if you don’t have Scrivener, I strongly suggest you make the investment. Below is my affiliate link.

Buy Scrivener for Windows (Regular Licence)

If you have Scrivener, another great tool you may want to try is Scapple. Scapple is an easy-to-use tool for getting ideas down as quickly as possible and making connections between them. It isn’t exactly mind-mapping software—it’s more like a freeform text editor that allows you to make notes anywhere on the page and to connect them using straight dotted lines or arrows. If you’ve ever scribbled down ideas all over a piece of paper and drawn lines between related thoughts, then you already know what Scapple does. Plus, you can drag your notes right into Scrivener.


What’s Great About Outlining

  • Outlining breaks down your story idea into small enough segments that you can write about them in one sitting.
  • You can focus on one scene at a time and know where the story is heading so you can really dive into the scene with confidence.
  • You can add details concerning character development to the story arc. I actually add to my outline, about a paragraph on what’s going on in each scene, or what needs to happen, and what’s changing or coming to light with the characters.
  • You can set a milestone goal for each scene and reward yourself each time you’ve finished one. Rewarding yourself along the way will make you more apt to continue with a writing routine.

Books

Here are some great books I recommend if you’re looking to learn more about outlining.

41rtj4w2zzl-_sy346_ Outlining Your Novel: Map Your Way to Success

by K.M. Weiland

 

 


Templates

For those of you who are wanting to get started right away, here are some templates that you can post up as references to help you as you work through your outline. Although there are several different plot themes you could use and many different methods of outlining, in these templates you’ll find a basic outlining method that works well for most works of fiction. However, I highly recommend reading one or more of the books above before you begin.

*Right-click on the template to save to your computer and print. Images should print as 8.5 x 11 inch or you can choose your own printing options if you’d like them smaller.

Step One: Some basics to consider before you start your outline.

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Step Two: Some pre-outline questions that will help you get started.

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Step Three: A layout of a basic story structure for reference.

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Step Four: A story outline template with the story structure highlighted where it should appear within the story arc.

outlining-your-novel-step-four-copy

 

 


For an eye-catching book cover design

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Powerful Writing Techniques

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Take a moment, close your eyes, and recall a story that truly engaged you as a reader – one whose world and characters became completely real for you. Got one?

Now, take off your reader hat and don your analytical writer hat to think about what makes that story so captivating. What writing techniques did the author use to bring the story to life? Was it the wrenching appeal to your emotions, the vivid and brutal action scenes, or the high stakes facing a character? Mastering these and other storytelling methods is the key to writing your own engaging tale.

Just as a lion is the product of all the zebras it has eaten, a writer is the product of all the books he or she has read. Reading the works of skilled writers is a fabulous way to hone your craft and learn how to effectively employ the writing tactics that help you create your own captivating story.

Here are five great examples of writing techniques that bring the story to life for readers, as demonstrated by five accomplished writers.

1. Invoke multiple senses

When you experience a situation, you pick up more than just its sights. By describing sounds, scents, tastes and sensations, you’ll immerse readers in your story’s world.

The following scene from Saladin Ahmed’s “Hooves and the Hovel of Abdel Jameela” does a wonderful job of pulling the reader into the story by using senses other than sight.

Her voice is more beautiful than any woman’s. And there is the powerful smell of jasmine and clove. A nightingale sings perfumed words at me while my mind’s eye burns with horrors that would make the Almighty turn away.

If fear did not hold your tongue, you would ask what I am. Men have called my people by many names—ghoul, demon. Does a word matter so very much? What I am, learned one, is Abdel Jameela’s wife.

For long moments I don’t speak. If I don’t speak, this nightmare will end. I will wake in Baghdad, or Beit Zujaaj. But I don’t wake.

She speaks again, and I cover my ears, though the sound is beauty itself.

The words you hear come not from my mouth, and you do not hear them with your ears. I ask you to listen with your mind and your heart. We will die, my husband and I, if you will not lend us your skill. Have you, learned one, never needed to be something other that what you are?

Cinnamon scent and the sound of an oasis wind come to me.

2. Create intriguing, complex characters

Readers want characters with whom they can sympathize (Harry Potter) or revile (Tywin Lannister) – or both. They want to get to know the characters and learn more about their experiences in the story.

In the following excerpt from “The Children of the Shark God,” Peter S. Beagle introduces us to the protagonist quickly, but in a way that makes us care about what happens to her.

Mirali’s parents were already aging when she was born, and had long since given up the hope of ever having a child — indeed, her name meant “the long-desired one.” Her father had been crippled when the mast of his boat snapped during a storm and crushed his leg, falling on him, and if it had not been for their daughter the old couple’s lives would have been hard indeed. Mirali could not go out with the fishing fleet herself, of course — as she greatly wished to do, having loved the sea from her earliest memory — but she did every kind of work for any number of island families, whether cleaning houses, marketing, minding young children, or even assisting the midwife when a birthing was difficult or there were simply too many babies coming at the same time. She was equally known as a seamstress, and also as a cook for special feasts; nor was there anyone who could mend a pandanus-leaf thatching as quickly as she, though this is generally man’s work. No drop of rain ever penetrated any pandanus roof that came under Mirali’s hands.

Nor did she complain of her labors, for she was very proud of being able to care for her mother and father as a son would have done. Because of this, she was much admired and respected in the village, and young men came courting just as though she were a great beauty. Which she was not, being small and somewhat square-made, with straight brows — considered unlucky by most — and hips that gave no promise of a large family. But she had kind eyes, deep-set under those regrettable brows, and hair as black and thick as that of any woman on the island. Many, indeed, envied her; but of that Mirali knew nothing. She had no time for envy herself, nor for young men, either.

As authors, we must give readers insight into what makes our protagonists tick. What motivates them? What are their aspirations? In this passage, we learn that Mirali, while not conventionally beautiful, is a kind soul who works hard for her parents and is appreciated by her community. And the key? We quickly start to become invested in what happens to her.

3. Evoke strong emotions

In this scene from “Frost Child” by Gillian Philip, it takes the reader a moment to realize what the child witch is feeding her newly-tamed water horse — and that moment allows the strong emotion of horror to set in.

“He’s very beautiful,” I smiled. “Make sure he’s fully tame before you bring him near the dun.”

“Of course I will. Thank you, Griogair!” She bent her head to the kelpie again, crooning, and reached for her pouch, drawing out a small chunk of meat. The creature shifted its head to take it delicately from her hand, gulping it down before taking her second offering. She stroked it as she fed it, caressing its cheekbone, its neck, its gills.

I don’t know why the first shiver of cold certainty rippled across my skin; perhaps it was her contentment, the utter obliteration of her grief; perhaps it was the realisation that she and her little bow had graduated to bigger game. The chunks of flesh she fed it were torn from something far larger than a pigeon, and as the kelpie nickered, peeling back its upper lip to sniff for more treats, I saw tiny threads of woven fabric caught on its canine teeth.

By revealing a previously undetected detail that helps readers understand the implications, the author causes them to wince and recoil — and wonder what happens next. Of course, we have many emotion-evoking arrows in our writing quivers — humor, love, determination, anger, and so on. These strong emotions keep the reader engrossed in the story and curious about the characters’ futures.

4. Use rich character voice

The voice chosen by the author has a profound impact in how readers interpret the story and view the characters. In the following excerpt from “The Adventures of Lightning Merriemouse-Jones” by Nancy and Belle Holder, the voice and sentence length quickly convey the time period and lighter tone of this comic horror story.

To begin at the beginning:

That would be instructive, but rather dull; and so we will tell you, Gentle Reader, that the intrepid Miss Merriemouse-Jones was born in 1880, a wee pup to parents who had no idea that she was destined for greatness. Protective and loving, they encouraged her to find her happiness in the environs of home — running the squeaky wheel in the nursery cage, gnawing upon whatever might sharpen her pearlescent teeth, and wrinkling her tiny pink nose most adorably when vexed.

During her girlhood, Lightning was seldom vexed. She lived agreeably in her parents’ well-appointed and fashionable abode, a hole in the wall located in the chamber of the human daughter of the house, one Maria Louisa Summerfield, whose mother was a tempestuous Spanish painter of some repute, and whose father owned a bank.

The longer sentences, combined with the choice of words like “environs,” “pearlescent,” “vexed,” “abode,” and “repute,” place the reader in a Victorian setting even without the reference to 1880. The narrator’s voice also clearly sets a tone of felicity and humor.

Just as the narrator has a distinct voice, characters should have their own unique voices to help readers distinguish one from another and to convey aspects of their personalities. Voice is a terrific tool to help readers get to know and appreciate your characters.

5. Pull the reader into the action

Of course, interesting characters and engaging dialog are important, but writing gripping action scenes is a skill all its own. Jim Butcher has mastered this skill, as shown in this excerpt from “Even Hand”:

The fomor’s creatures exploded into the hallway on a storm of frenzied roars. I couldn’t make out many details. They seemed to have been put together on the chassis of a gorilla. Their heads were squashed, ugly-looking things, with wide-gaping mouths full of shark-like teeth. The sounds they made were deep, with a frenzied edge of madness, and they piled into the corridor in a wave of massive muscle.

“Steady,” I murmured.

The creatures lurched as they moved, like cheap toys that had not been assembled properly, but they were fast, for all of that. More and more of them flooded into the hallway, and their charge was gaining mass and momentum.

“Steady,” I murmured.

Hendricks grunted. There were no words in it, but he meant, I know.

The wave of fomorian beings got close enough that I could see the patches of mold clumping their fur, and tendrils of mildew growing upon their exposed skin.

“Fire,” I said.

Hendricks and I opened up.

The new military AA-12 automatic shotguns are not the hunting weapons I first handled in my patriotically delusional youth. They are fully automatic weapons with large circular drums that rather resembled the old Tommy guns made iconic by my business predecessors in Chicago.

One pulls the trigger and shell after shell slams through the weapon. A steel target hit by bursts from an AA-12 very rapidly comes to resemble a screen door.

And we had two of them.

The slaughter was indescribable. It swept like a great broom down that hallway, tearing and shredding flesh, splattering blood on the walls and painting them most of the way to the ceiling. Behind me, Gard stood ready with a heavy-caliber big-game rifle, calmly gunning down any creature that seemed to be reluctant to die before it could reach our defensive point. We piled the bodies so deep that the corpses formed a barrier to our weapons.

A well-written action scene thrusts the reader smack into the middle of the story. It’s another way to evoke emotion and empathy for characters.

Though the protagonist in this story is actually a crime lord — not a character many of us would normally root for — you’re on his side, aren’t you? The writer’s skillful action writing has you imagining yourself behind the defensive barrier, wielding a shotgun, and praying the torrent of lead will prevent the demonic onslaught from reaching you.

Readers want to be taken on a journey to another place and time, with characters they care about and whose company they enjoy. Help your readers feel like they have a stake in your story’s outcome by using these writing techniques to bring your characters and settings to life.


If you enjoyed these excerpts, find the full stories in the new dark fantasy anthology “Beyond the Pale”

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As a writer, which books or authors do you read specifically to learn from their techniques and writing skills?

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Source: http://thewritelife.com/5-powerful-writing-techniques/

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